Loren Ludwig Curriculum Vitae

Dissertation (2011): ”Equal to All Alike’-A Cultural History of the Viol Consort in England c.1550-1675”

Article: “Viols to Virginia in Early Music America Magazine, Vol. 26 No. 2; May 2020, https://www.earlymusicamerica.org/emag-issue/the-modern-world-of-early-brass/

Lecture and performance on the James River Music Book hosted by Early Music America: https://www.youtube.com/watch?v=8UVBAPvy3P8

Lecture and performance on 18th-century chamber music in Virginia from Thomas Jefferson’s music room at Monticello: https://www.youtube.com/watch?v=1kMgCE4AwNo

Article: “John Farmer’s Sundry Waies (1591), the English Origin of Michael Maier’s ‘Alchemical Fugues’“ in Furnace and Fugue: A Digital Edition of Michael Maier’s Atalanta fugiens (1618) with Scholarly Commentary, Eds., Tara Nummedal and Donna Bilak. https://www.upress.virginia.edu/content/furnace-and-fugue

Essay: “Stop Making Sense: Rap Lyrics and the Economy of Intelligibility” International Association for the Study of Popular Music, August 2013


Concert review: “Seeking Sonic Unity” San Francisco Classical Voice

Concert review: “A Window into Music of California Missions” San Francisco Classical Voice,

Book review: “Boccherini’s body: An essay in carnal musicology by Le Guin, Elisabeth” Early Music America 13.4 (2007): 52

Album review with Jascha Hoffman: “Ratatat,” Pitchfork Media